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“We are largely invisible when it comes to politics and popular culture, yet there's a very palpable urban myth that Asian women make better lovers than other women”, she says.
Certainly, the idea of the “passive” Chinese is a well-known, but an increasingly misguided view – particularly given the meteoric rise of China and its achievements in women’s education.
Elizabeth Chan, a British Chinese actress, says acting has offered an insight into how society sees Chinese women, calling parts on offer to her “massively stereotypical”.
"It’s rare to see a Chinese character written that is ‘normal’ or ‘well rounded’," says Chan, naming a set of typical roles that include: hard-working businesswoman; exotic, gentle flower; illegal immigrant selling DVDs or turning to prostitution (someone once actually yelled “selling DVDs? In the book The Asian Mystique (2005) the author Sheridan Prasso traced the “exoticism” of East Asian women as far back as Marco Polo’s travels along the Silk Road in the 1200s, in the literature and art it inspired.
She notes the sexy Geishas, femme fatales and Kung Fu fighting seductresses in place of what she calls “ethnically neutral roles”.
In the BBC’s official response to BEA’s letter, it stated its commitments to diversity (in a rather patronising, verbose manner). But Asian women are understandably in a rush to change the status quo.
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Aowen Jin, a 36-year-old British Chinese artist, thinks that cultural differences, such as the inability “to say no”, are often misconstrued by westerners as agreeableness, or even misinterpreted by western men as a sign of romantic interest.